![]() ![]() Consequently, socialist realism was realized as a totalizing system that would inculcate Soviet citizens into the new ideological system, the result of the Bolshevik revolution, and the emergence of Stalinism.Īndrei Zhdanov, then Leningrad Party boss and frequent spokesman for Party policy, delineated the program of SR at the First Congress of Soviet Writers in 1934. ![]() Just as events in the Soviet Union unfolded, so, too, did socialist realism adjust to the new demands of changing times. This moniker implies that socialist realism dictated far more than the form of an artistic work in addition, socialist realism strove to control how an artist worked and how an audience received and perceived any work of art. Indeed, the best label for socialist realism could well be critic Yevgeny Dobrenko's term -an aesthetic system. Precisely the inability to definitively label it points to its inherent contradictions. Over the course of its implementation socialist realism's practitioners and critics have referred to it as a method, doctrine, framework, or style. ![]() Yet the very concept of socialist realism problematizes the process of definition. While most frequently associated with literature (especially since the adoption of SR occurred practically simultaneously with the dissolution of all literary groups and their subjugation into one Union of Writers), socialist realism provided the guidelines according to which any artist should craft his work. On April 23, 1932, the Party Central Committee of the USSR adopted socialist realism (SR) as the official artistic mandate for Soviet literature (de facto for art, music, film, and architecture as well), a practice that, theoretically, governed the production of any work of art until the demise of the Soviet Union in 1991. ![]()
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